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Installation view

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Alfredo Rodríguez
NGC, 2021
Silver gelatin on RC paper,
resin and hard coat
47 x 35 cm

 

Alfredo Rodríguez
NGC, 2021
Silver gelatin on RC paper,
resin and hard coat
47 x 35 cm

 

Alfredo Rodríguez
NGC, 2021
Silver gelatin on RC paper,
resin and hard coat
47 x 35 cm

 

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Installation view

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Installation view

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Installation view

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Installation view

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Installation view

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Installation view

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Nora Aurrekoetxea
Makila 2, 2021
Wrought iron
185 x 6 x 42 cm

 

Jack O’Brien
rib touches, 2019
Silicone, pigment,
aluminium
Dimensions variable

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Detail of:

Jack O’Brien
Come down, and around, 2018
Silicone, mortar, horsehair
braid, leather, aluminium,
cable ties
Dimensions variable

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Detail of:

Jack O’Brien
Drill Sequence III
(Lethargy), 2020
Magazines, rubber, dried
flowers, silicone, steel, cloth
35 x 25 x 40 cm

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Latent Longing
Nora Aurrekoetxea, Jack O’Brien and Alfredo Rodríguez
6th July – 24th July 2021
Off-site location
9 French Place E1 6JB

The exhibition is now open by appointment only. Please contact london@interstic.io if you would like to visit.

SUPER Preview and Intersticio, in collaboration with Valeria Biamonti, are delighted to present Latent Longing, an exhibition featuring works by Nora Aurrekoetxea, Jack O’Brien and Alfredo Rodríguez.

Entirely subtle yet startlingly emotive. Humble materials and abstract lines do anything but alienate; the exhibition is striving and succeeding, beautifully seductive. Of a personal, sometimes tortured, but truly sober kind, Nora Aurrekoetxea’s iron Makila sticks reach, reinforce, and thrust. Distorting, warping, and scratching into a formal exploration between structure and ornament. The intimate and impassioned calm of Alfredo Rodríguez’s work is visible in the crystalised ephemeral glances that hang around bodies in spacetime. And the intensely curious and vulnerable work of Jack O’Brien, whose materials are deployed with a poignancy and wit, is charged with the erotic. Gentle inspections of notions like shame and taboo. There is something latent—in the truest sense—manifesting here. Aurrekoetxea navigates and exploits the tension between the cultural embedded sphere and materiality. With O’Brien’s rubber, silicon and curls of dried flowers, there is no soppy veneration of marginalized materials. Instead, there is a kind of magnanimity towards them. Rodríguez’s devotion to the photographic process per sé leads to a unique engagement with the medium. Almost as a rejection of the transient inadequacies of the digital. No apathy is to be found in the deftly and honestly explored ambiguities of the abstract and yet concrete yearning behind these works. Aurrekoetxea, O’Brien, Rodríguez: three artists differently and diligently forging away at the overt tangibility of the abstract, reaching out to something present yet invisible. The works are positively earnest, and they extend an invitation to come closer, to touch with our eyes.

Valeria Biamonti

 

Press Release + Artists Bios (PDF)

Floor Plan (PDF)